Showing posts with label Literature. Show all posts
Showing posts with label Literature. Show all posts

Tuesday, 18 January 2011

Elephant's Memory

Once there was a little baby elephant,
sad and alone, just like an orphan.
He was trapped, in one big circus.
He was weak and really helpless.
His four legs, tied thoroughly tight,
couldn't escape, even with all his might.

Four ropes tied to four stakes so firmly,
hammered to the ground, really sturdy.
But he didn't give up he kept on struggling,
till after a year, he finally stopped trying.

Years passed by, he's no longer a baby,
He grew up big, so strong and healthy.
The ropes were now tied just loose, really!
And the stakes were no longer, planted firmly.

But because he has elephant's memory,
his mind tells him he couldn't break free.
If only he would try, and move forward a bit,
He'll realise he's wrong, then he can succeed.

Faisal Abdullah(c) 

Note: This would be my first time sharing my own poem with the readers of my blogs. Some of you might have realise that I have another blog, FirusAzali purely just as an archive for all my written works, including the silly ones. I am sharing this poem because I felt that it is like my first real piece and I want to share it with people who would appreciate it. So, I hope you like it, ... or not. Comments and criticisms are really welcomed. Thank heaps for reading.

Wednesday, 7 April 2010

Are You Still Playing Your Flute

ARE YOU STILL PLAYING YOUR FLUTE?

Are you still playing your flute?
When there is hardly time for our love
I am feeling guilty
To be longing for your song
The melody concealed in the slim hollow of the bamboo
Uncovered by the breath of an artist
Composed by his fingers
Blown by the wind
To the depth of my heart

Are you still playing your flute?
In the village so quiet and deserted
Amidst the sick rice field
While here it has become a luxury
To spend time watching the rain
Gazing at the evening rays
Collecting dew drops
Or enjoying the fragrance of flowers
 
Are you still playing your flute?
The more it disturbs my conscience
to be thinking of you
in the hazard of you
my younger brothers unemployed and desperate
my people disunited by politics
my friend slaughtered mercilessly
this world is too old and bleeding

Is this the end of our love
time is forcing us, as artists
to live outside ourselves

translated by Zurinah Hassan

SUMMARY:
The way I read it, this is a love poem, or at least a 'semi-romantic' poem. It's told from a first person POV, where the persona, a grown up 'girl', finding herself reminiscing bout her 'old-flame' or rather a long-lost lover. She recounted the way her lover played flute in their village. However, she's not merely recounting the romance in the past but actually wondering whether her love are still playing flute, now that they're all grown up. She mentioned her feeling of guilt for missing the beautiful melody of his bamboo flute. She later questioned or rather keep on wondering he's still playing the flute now, since the village is now underpopulated and the paddy field is in very poor condition. She mentioned that nowadays, it is a luxury to be able to spend time relaxing and savouring the  beauty of the nature. In the final stanza, she repeats the same question, and this time around she admits that she couldnt help but feel that it is wrong for her to be thinking of their love at this time of hardship. The hardship is portrayed here as young men are now jobless, people are fighting over politics and countries are facing wars.

THEMES & MESSAGES:

Okay, let's face it, I'm still a novice in decripting themes and messages out of a poem. In doing so, I refuse to depend on any of the literature revision books that are widely avaiable nowadays. Thus, mine would be vastly different that what you have read elsewhere. The first theme for me here is LOVE HURTS or maybe we can put it as LOVE IS COMPLICATED. Hahaha... I'm laughing at myself as I'm writing this because it's getting quite personal. Frankly speaking, this might not be the most apparent theme, but I still can't help but to highlight it here. Let me justify. Firstly, eventhough the tone and mood of the poem is not really romantic, part of the wordings suggest otherwise;

"longing for your song"
"depth of my heart"
"fragrance of flowers"
"thinking of you"

... these are the phrases that no matter how you read them, would still ooze of love and strongly signify romance. But as I say, it's not just simply about LOVE, but the suffering that one has to endure because of love. To say it in brief... if the persona, did not fell in love with the flute-player during her younger days, she would not have suffered the dilemma and guilt that she's facing right now. Does it make sense?

Another theme that I can see here is a little bit more serious. This poem can actually be related to the rough time that we are facing now. Eventhough I'm quite positive that this poem was written decades ago, the struggling and difficulties are something quite universal.  So, it brings up this premise: When we're young and in love, we don't really realize (or we choose not to realize) the realities/hardship that we face. As we got older, all of these difficulties become apparent.


PERSONIFICATION:

'sick' paddy field

IMAGERY:

too old and bleeding
flower
dew
sun setting
flute
melody

 For this poem, I managed to find the original version in Malay. I personally felt that the Malay version is more romantic and full of emotion. Okay, I'd like to raise up a question to fellow teachers who are reading this: Would you incorporate the usage of this Malay version into your literature lesson? Why? and if you're gonna use it, how?

I am actually raising this issue because, I did ask the officer during a Lit course: "Can I use the Malay version in my lesson". Briefly, the answer that I got is "You can use them, but you are actually not recommended to do so, and if you still want to use it, please be careful. And remember, we're focusing on the small 'l' not the big 'L'".

I didn't really got the chance to argue my case during that time, so I guess I should do it here. Okay, first let me explain about the big fuss with small and big L. Basically, small 'l' means understanding and enjoying the literature components while Big 'L' would means teaching all the literary elements explicitly and in details. It's kinda ironic for me to hear the speaker says that if I were to use the Malay version, it would've mean that I was focusing more on the Big 'L'. I think maybe he just couldn't put himself in the shoes of us who are teaching in the Rurals. I wasn't trying to use the Malay version to highlight the usage of metaphore or symbolism in the poem. What I really wanted to do is use it as a 'firestarter'. To ignite my students' interest towards the poem. There's a lot of repetition in the poem, thus, if I introduce the first stanza of the poem in Malay and just keep the rest in English (in pre-reading or while reading exercise), I think my students would be more interested rather than me shoving the fully English version. There's a lot other way to use it as well. For example in a while reading or post reading exercise, we can use the Malay version to help our students getting a better understanding of certain mood and tones that certain words give towards the poem. Well, it's just my opinion, what say you? So, here's the Malay version, try to dive into the sea of emotion while you read it....

MASIHKAH KAU BERMAIN SERULING ~ ZURINAH HASSAN

Masihkah kau bermain seruling
walau waktu telah terlewat untuk kita bercinta
aku semakin terasa bersalah
melayani godaan irama
lagu yang tersimpan pada lorong halus buluh
dikeluarkan oleh nafas seniman
diukir oleh bibir
diatur oleh jari
dilayangkan oleh alun angin
menolak ke dasar rasa.

Masihkah kau bermain seruling
ketika kampung semakin sunyi
sawah telah uzur
waktu jadi terlalu mahal
untuk memerhatikan hujan turun
merenung jalur senja
mengutip manik embun
menghidu harum bunga.

Masihkah kau bermain seruling
ketika aku terasa mata bersalah
untuk melayani rasa rindu padamu
di kota yang semakin kusut dan tenat
adik-adikku menganggur dan sakit jiwa
bangsaku dipecahkan oleh politik
saudara diserang bom-bom ganas
dunia sudah terlalu tua dan parah.
 
Di sinilah berakhirnya percintaan kita
kerana zaman sedang menuntut para seniman
hidup di luar dirinya.
 
Zurinah Hassan

Sunday, 10 January 2010

Spontaneous Review - Nature by, H.D. Carberry

Okay, so here it goes, the long awaited review for the poem, Nature by H.D. Carberry:

We have neither Summer nor Winter
Neither Autumn nor Spring.
We have instead the days
When the gold sun shines on the lush green canefields-
Magnificently.
The days when the rain beats like bullets on the roofs
And there is no sound but the swish of water in the gullies
And trees struggling in the high Jamaica winds.
Also there are the days when leaves fade from off guango trees
And the reaped canefields lie bare and fallow to the sun.
But best of all there are the days when the mango and the logwood blossom
When the bushes are full of the sound of bees and the scent of honey,
When the tall grass sways and shivers to the slightest breath of air,
When the buttercups have paved the earth with yellow stars
And beauty comes suddenly and the rains have gone.

This poem is simply about nature. It talks about the condition, climate and atmosphere in Jamaica. Surprisingly, even figuratively, this poem is actually talking about the natural cycle of nature - the cycle of life. In my opinion, in this poem, the poet is trying to convey the message that in life, there will definitely be bad times and good times no matter where you are. And it can comes in every different forms.

Let us note here that the poem starts with the line, "we have neither Summer nor Winter, Neither Autum nor Spring", initially, it gave us the sense of absence, as if something is lacking in the persona's life. And as we continue to the third line " we have instead the days", I sense certain compensation from the persona. I felt like the persona is trying to tell us that they have something else other than the four seasons.

Beginning from line three till the end, the poem elaborates more on the different types of 'days' that they have in Jamaica. Just like how our life is, some days are portrayed as being better than the other, plus, there is also the 'best of all' days - not unlike the best moments we experience in our life.

To be honest, one of the reason why it took me so long to write this review is that in the beginning, I didnt 'get' this poem. I'm not sure why, but only after about a month 'off' this blog, I try to 'read' this poem again and I'm quite annoyed at myself for not noticing that this poem is indeed about nature - the nature of life.

I stated earlier about how good times and bad times come in differrent forms. I think we can definitely say that for those living in the places with the four seasons, the best seasons are usually spring and summer, and most of the time, people dread the Autumn and Winter's climate. As for Jamaican, and may I say, Malaysian, we have our preference to and in the poem, the best days are the days when the mango and the logwood blossom, bushes full with the sound of bee with the scent of honey, with slight wind, and the buttercup blooms all over the plains. Do also note that the poem ends with the line " and beauty comes suddenly and the rains have gone". This is also another big resemblance to our life, as it has been our experience that after bad times, good times will follow and sometimes ever so abrubtly. This reminds me to a piece of a lyrics that can roughly be translated as below:
"Adversity is a gift,
So, brave through it with patience,
Soon the light will come,
As the cloud will not be there forever,
But the light will be brighter than ever."
Somehow, it's not really related to the poem but I'm just feeling like I wanna share :)  In short, what I want to say here is the fact that sometimes in life, the best moments or events happen right after a series of really terrible periods in life. In term of the message of the poem, I think that is all I get from this poem. Please, do share your thoughts and opinions. Hmm.. bout the elements, here's what I found:

Onomatopoiea (finally... thanks situapui)
"swish" ; line 7

Simile
"rain beats like bullet"

Personification
-sway
-lie
-struggling
-shivers

Metaphor
"breath of air" (maybe?)

I might miss some others, sorry, it's 3.00 am, if you find any... do share, do comment, all are welcome... Thanks for reading

Friday, 2 October 2009

Nature, by H.D. Carberry

We have neither Summer nor Winter
Neither Autumn nor Spring.
We have instead the days
When the gold sun shines on the lush green canefields-
Magnificently.
The days when the rain beats like bullets on the roofs
And there is no sound but the swish of water in the gullies
And trees struggling in the high Jamaica winds.
Also there are the days when leaves fade from off guango trees
And the reaped canefields lie bare and fallow to the sun.
But best of all there are the days when the mango and the logwood blossom
When the bushes are full of the sound of bees and the scent of honey,
When the tall grass sways and shivers to the slightest breath of air,
When the buttercups have paved the earth with yellow stars
And beauty comes suddenly and the rains have gone.


I am not really in a mood of reviewing, especially this poem... have some thoughts bout this poem that I wanna share, maybe in few days time... ok? Thanks for visiting.

He Had Such Quiet Eyes - Review Part II

Okay, I know it’s been quite some time since I wrote the first part of the review. Truth is am not sure what to write really. Hahaha… let’s give it a try. Hurmmm, I think it’d be good to talk bout the message rite? The message in my opinion is very clear and apparent. Just like “If” by Kipling, this poem is similar in the sense that it’s trying to give you an advice, but the similarities stop there. The message here is actually an advice especially for young girls. “Don’t be fooled by appearance”, and “Looks can be deceiving” might be the suitable phrase here. What do you think?

Since we’re still with this poem, I’d like to share some part of the poem that I found really interesting. Take a look at this;

To her, those quiet eyes
Were breathing desolate sighs
Imploring her to be nice
And to render him paradise

In literal meaning, this is my version: She was hypnotized by the emptiness look in his eyes, because of that she feels obligated to be nice to him, exactly the effect that he intended. In being nice to him, obviously, she’ll do anything that he asked, in order to make him happy.

This poem brings out the concept of the power of the eyes and how, since ages and ages ago (this poem is written in 1968) up till today, Casanovas all around the world are still using the same old trick and women, all over the world still fall for it. Thus, I am really hoping that by teaching this poem to our students, we could teach them and prepare them to face the ugliness of the real world. However, based on my experience, it would be a lil bit difficult for them to digest and most of the time they will not see the sense in the advice until it’s too late. Regardless, let’s try our best, and make the lesson as interesting as it can be.Okay, that's all for now. Thank you for reading.

Monday, 14 September 2009

He Had Such Quiet Eyes - Review Part 1

He Had Such Quiet Eyes
Bibsy Soenharjo

He had such quiet eyes
She did not realise
They were two pools of lies
Layered with thinnest ice
To her, those quiet eyes
Were breathing desolate sighs
Imploring her to be nice
And to render him paradise

If only she'd been wise
And had listened to the advice
Never to compromise
With pleasure-seeking guys
She'd be free from "the hows and whys"

Now here's a bit of advice
Be sure that nice really means nice
Then you'll never be losing at dice
Though you may lose your heart once or twice

1968

Before I begin, thanks heaps for kind words and supports from friends and readers. Due to good response, I am now even more motivated to write another review. So, Let's not waste time and have a look on my take on the poem.

Just like the first poem, I have never heard of the poem nor the poet. You can try googling but I think there's nothing much there, so don't bother. She is an Indonesian writer and looking at it positively, I think that this is a good idea. But I really hope that MoE has asked for permission to use her poem because we don't want another conflict to arise (got my point?). Okay, enough rambling, let's start...

Dealing with the obvious first, let's look at the RHYMING SCHEME: a,a,a,a... yes, the rhyming scheme is uniformed throughout the whole poem. This is IMHO the strong point of this poem. This would be an x-factor that could attract students to this poem. Especially, in my case where nurturing the love towards the beauty of literature is quite challenging with poems with the like of Monsoon History (no offence, it's a good poem... but you got my point right?). For beginner-intermediate students who are still struggling with simple vocabularies, asking them to love such poems is almost like forcing a 0.7mm pencil lead into the 0.5 mechanical pencil :) This poem is different though. It's meaning is not entirely simple. Yet, it is verbally beautiful. The uniformed rhymes gives life to the poem. A lot of while reading activities can be crafted into interesting lesson when teaching this poem. Just by reading aloud, even without instruction, the poem would still sound interesting. And this is very important for beginner students. This poem is not unlike song lyrics, thus, I think you got my idea.

Okay, let's settle the LITERARY ELEMENTS first before we go into the Themes and Messages. Let's do it in a checklist form:

metaphore;
"two pools of lies" should be the metaphore for the eyes (rite?)

symbolism;
I'm not sure but there's something about the phrase "thinnest ice". I personally view it as a symbolism of a heartless man or a cold-blooded "hunter", who would harbor no feelings at all towards his victims.

simile;
nope.

personification;
The way I learn it, personification is giving human quality to inanimate object. However, in this case, the eyes are'nt really inanimate object, furthermore, it's also part of the human itself. So, where does this one falls into? :
-quiet eyes: the eyes are given the quality 'quiet'
-breathing desolate sighs: the eyes are portrayed here as 'breathing',

onomatopoeia; again, even in this poem, the word 'sigh' reappear. So, can anyone tell me whether ‘sigh’ can be counted as one?

assonance;
nope,

alliteration;
nope.

Okay, other elements like plot, setting and characters are not really apparent eventhough we could still debate that these elements exist in the poem. As for POV, it is written in a 3rd person POV. Finally, in term of tone and mood, I think that this poem sets a very mellow tone and it alludes the mood of regret and sadness.

Okay, I'd love to continue, but it's already 2.00 am, and I'm all alone in the office. Getting real sleepy now, so... I'll continue this ASAP ok? Thanks for reading, take care and bye!

Part 2

Okay, I know it’s been quite some time since I wrote the first part of the review. Truth is am not sure what to write really. Hahaha… let’s give it a try. Hurmmm, I think it’d be good to talk bout the message rite? The message in my opinion is very clear and apparent. Just like “If” by Kipling, this poem is similar in the sense that it’s trying to give you an advice, but the similarities stop there. The message here is actually an advice especially for young girls. “Don’t be fooled by appearance”, and “Looks can be deceiving” might be the suitable phrase here. What do you think?

Since we’re still with this poem, I’d like to share some part of the poem that I found really interesting. Take a look at this;

To her, those quiet eyes
Were breathing desolate sighs
Imploring her to be nice
And to render him paradise


In literal meaning, this is my version: She was hypnotized by the emptiness look in his eyes, because of that she feels obligated to be nice to him, exactly the effect that he intended. In being nice to him, obviously, she’ll do anything that he asked, in order to make him happy.

This poem brings out the concept of the power of the eyes and how, since ages and ages ago (this poem is written in 1968) up till today, Casanovas all around the world are still using the same old trick and women, all over the world still fall for it. Thus, I am really hoping that by teaching this poem to our students, we could teach them and prepare them to face the ugliness of the real world. However, based on my experience, it would be a lil bit difficult for them to digest and most of the time they will not see the sense in the advice until it’s too late. Regardless, let’s try our best, and make the lesson as interesting as it can be.Okay, that's all for now.

UPDATE:
"...losing at dice" may symbolise that life is a gamble?
"ice" can be a metaphor (Does this word have an "e"?) reflecting the coldness in the eyes...and "thinnest" may be an indication that one can see through it...perhaps, if one looks hard enough.
"the thinnest ice" also symbolises the danger - walking on thin ice. Once it cracks, she will drown in the pool. I think there is imagery here..."
- comment from my blog reader; suituapui

Thanks all.

Thursday, 10 September 2009

My First Attempt

IN THE MIDST OF HARDSHIP

By Latiff Mohidin

At dawn they returned home
their soaky clothes torn
and approached the stove
their limbs marked by scratches
their legs full of wounds
but on their brows
there was not a sign of despair

The whole day and night just passed
they had to brave the horrendous flood
in the water all the time
between bloated carcasses
and tiny chips of tree barks
desperately looking for their son’s
albino buffalo that was never found

There were born amidst hardship
and grew up without a sigh or a complaint
now they are in the kitchen, making
jokes while rolling their cigarette leaves

Translated by
Salleh Ben Joned

Okay... where do I begin... Hmmm... first of all this is just my humble take on this poem and bear in mind that I don’t have a clue of neither the poem nor the poet. The main thing to notice here is the fact that it is translated thus, telling us that the poem was originally written in Malay. I like the idea behind it that could make the students realise that literature is universal and that a good piece of art can be appreciated in any language without losing its strength, beauty and aestheticism. I’ve tried googling “Sajak Latiff Mohidin”, in hope of finding the original version... which could be manipulated into lesson to make it more interesting... but I could not find it (please send it to me if you found it). I guess I might be visiting bookstores as soon as I reach civilisation soon.

I personally felt that the new collection of poems hold more values and in-depth lesson that students nowadays really seem to need insurmountably. As the title suggest, this poem is obviously trying to convey the hardship that a family in a village is facing after a big flood. “Smart-a**” students might be asking; “How do you know that they live in a village, sir?” The answer lies within the albino buffalo (kerbau balau), a complete giveaway of the setting of the poem, as city people are not known to be rearing buffalos (IMHO). However, the big theme or message in the poem as I see it is not the hardship itself but how the family handle it. In other words, it can be said that the theme might be “the optimism of the unfortunates”. I can’t help but to state again here that this is 100% my own words so, feel free to share yours (the upside to the fact that no ‘baby-step’ is written yet). Back to the theme of my choice, I said so based on the lines 6-7 and also the last 2 lines:

but on their brows
there was not a sign of despair

It was stated before lines 6-7 that the returned home at dawn in a soaking-wet clothes that is all torn-up and with bruises and cuts all over... but, their face did not show any sign of hopelessness and despair that would normally be expected.

now they are in the kitchen, making
jokes while rolling their cigarette leaves

These last two lines further accentuate my points on the optimism of this family. Imagine yourself hours after a terrible tragedies or disaster. It takes a lot of courage and strength to see the silver lining and to move on after that. Yet, that is exactly what this family is doing. They’re spending time together, enjoying each other’s company and may be gratifying on the fact what they still have instead of what was lost. This is exactly the authentic and profound values that our students need to be taught about. In my students’ case, most of them would be able to relate very well with the family; the fact that they face the same kind of struggles and the fact that they are almost always grateful with what they have (disturbingly, some of them seems to be to optimist that they don’t bother to want to change their fate... but this is out of topic... haha). Back to the point that this is a good value and most students nowadays should realise that they really are becoming ungrateful brats. I’m sorry to go here and there at such a random pace, but this is no assignment rite? So, humour me and please read till the end. The tragedies in the poem actually allow us with a lot of option for pre-reading activities. The suffering of this family can easily be contextualised with a depiction of real occurrence around the world. Floods and tsunamis are obvious choices; you can have it in form of pictures, videos, audios or even articles. But we can go a step further by showing pictures of malnourished families having great times under extremely unfortunate circumstances. I remembered Mdm Z saying something about how her children could not really sympathised with what they saw on their trip to Africa (if i’m not mistaken) because the children there are so happy. Even when they don’t really have a lot to be happy about. There are actually a value that could be learnt here. It’s just a matter of making it obvious to the students and this is where we should facilitate.
Let’s try to look into the other literary elements here. Settings have been discussed though I can’t be sure of the time frame as I could not trace the original poem. Hmm... let’s see... metaphore; nope, simile; nope, personification; nope, onomatopoeia; hehe... is ‘sigh’ counted as one?, assonance; nope, and alliteration; nope. This is my observation, again... feel free to correct me. And another one is rhyming scheme; I think this is a free verse right? With no apparent scheme. So... I think that’s all for now... as I’m typing this my battery is almost dead... I wonder what’s wrong with the generator this time... we’re having power disruption again... at 9 a.m. just like yesterday... Hmm, such a challenging day to keep smiling... But I guess after reviewing this poem, I could brave it through; come the heat, the sun, the hunger and the thirst... I should be grateful that I’m alive and I should “make hay while the sun shines” right? Hahaha, such a very strange idiom to be contextualised here.

p/s: I love the 2nd poem even more... let’s hope that I can write the review soon
      -there was no electricity till later at the evening

Update;

Here are some thoughtful comments that surely worth highlighting:

“Latif used to write with lots of colours. he still does. In The Midst of Hardship he uses colours of ‘dawn’, ‘home’, ’stove’, ’scratches’, ‘wounds’, ‘brows’, etc. I would tell my kids that life is full of colours – like those on a pallate of an artist. How’s that?” – Anonymous

“…there are abundant (words referring to hardship) in this poem (in my opinion) … i’m no expert but words such as: “scratches”, “wounds”, and “horrendous”… are really identifiable with “hardship”. Hope this help…” – Cikgu Faisal

“…probably can add here another theme; ‘love’. Mostly of course, about the love within a family. Love is what binds them together. I’m not sure but the line ‘desperately looking for their son’s albino buffalo that was never found‘ really jumps out to me. During the time of hardship, who would care about what their son or daughter lost. But in this poem, they show concern and are desperate. I guess coz they care. parents nowadays kan are too bz and ‘forget’ about the needs of their children. I feel this line really ‘menyindir’ town parents who r senang lenang and dont find time for their children. dorang nih yg in the midst of hardship pun, still show concern for their child. err..do any of get what i mean here?
 ‘albino’. also jumps out to me. i mean, Salleh  could have jz said ‘buffalo’ right? (correct me if im wrong) so why ‘albino’?” – Marinette

In response to Marinette’s question on why does Salleh uses the word albino, that’s because we have that type of buffalo here in Malaysia… if I’m not mistaken, it’s called “kerbau balau” or “kerbau balar”… am not really sure (Cudnt find the original poem but I’m sure that’s what Latif uses in his poem). I can’t read Latiff’s mind but I think by using albino buffalo here, he managed to insert another value here. Nette, brought up the theme of love and I agree with her bout that. Consequently, as we can read in the poem that they returned home without finding the buffalo but they didnt seem to be “really bothered” by it. They accept fate as it is but more importantly, it portrays how “immaterialistic” they are. Albino buffalo is rare and very difficult to get but here we can see that eventhough they are concern with the fact that the precious buffalo is missing, they refuse to let it ruins their day… and their spirit. That is my opinion… thanks for reading!